豆瓣音乐电台

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。勒维（达斯汀·霍夫曼 Dustin Hoffman 饰）在不久之前刚刚失去了父亲，这让他和哥哥多克（罗伊·施奈德 Roy Scheider 饰）之间的感情变得更加紧密。某日，勒维邂逅了名为艾尔莎（玛尔特·克勒尔 Marthe Keller 饰）的美丽女孩，瞬间坠入情网的勒维随即向艾尔莎展开了热烈的攻势，很快，两人便走到了一起。 勒维邀请多克和艾尔莎一起共进午餐，敏锐的多克发现了艾尔莎隐藏的秘密，没过多久，多克便被害身亡。让勒维感到震惊的是，多克竟然是效力于政府秘密组织的特工，而他的死亦并非意外，而是成为了政治斗争的牺牲品。在警官杰尼（威廉·德瓦内 William Devane 饰）的帮助下，勒维开始调查事件的真相，却发现自己早就已经身处于阴谋的中心。。